Class 2 of Elementary Ballet Workshop

In the second week of the workshop - my "crash course" in ballet designed to give you the ultra basics in steps as well as class progression and typical etiquette - I teasingly pop-quizzed my students from the previous week about the steps they'd learned and then added more. (They passed with flying colors!)

For them, and for you, in case you are interested in any future workshops I may do, the following is the additional material we learned:

--Grand plies in 1st and 2nd positions
--Tendus from 5th position
--Degages from 5th position
--Grand battements from 5th position
--Retire facing the barre, balancing
--Sautes in 1st position facing the barre
--Cambre with arm facing the barre
--Tendus and degages from the 5th in center
--Chassees in efface on the diagonal with arms in first

Next week we will tackle changements at the barre, sautes in the center and on the diagonal, rond de jambes a terre, and a reverence. And then the final week will see us putting together short combinations, like a typical class would. Whoo-hoo!

Class 1 of Elementary Ballet Workshop

The first class of my Elementary Ballet Workshop was fantastic! If you missed it, you can still join us next Saturday, Feb 23rd.  Please send me an email to let me know you'd like to come next weekend.

Here is what we covered:

--Basic positions of the body
--How to stand at the barre, basics of classroom etiquette
--Demi-plie in 1st, 2nd, 4th and 5th positions
--Tendus in 1st position
--Degages in 1st position
--Releve and eleve in 1st

We also learned a stretch at the barre and practiced tendus and degages in the center of the room to test our balance and weight-shifting.  Finally, we skipped across the floor to practice working on diagonals.

We will go over all of this next Saturday as well and build on it with more work at the barre and center. There are 3 more classes left in the workshop - so much to learn!

Please note: if you would like to review some of these steps, please see my videos on my YouTube channel link in the sidebar.

Getting down to the Ultra Basics

This weekend I start a 4-week workshop that I call a "crash course" in ballet. It's designed for the student who has absolutely no knowledge of ballet or even dance.  I often get students like this in my Basic Ballet classes and while most can follow along and learn by watching and asking good questions, others find it more difficult.  They get frustrated and don't return.  I don't like it when anyone gets frustrated in my classes, no matter what level they are.

Unfortunately, when you have a drop-in class for adults, you can't stop everything for a super newbie and tell them what a tendu is or how to hold their arms in first position.  If the class is large, I put the newbie in a spot where she can watch and I gently correct when I can. If the class is small, I might stop and give corrections to the group at large and point them at the newbie. But otherwise, I have no choice but to keep the class going for my students who attend regularly and expect a certain level of exercise.

So I decided to offer this Elementary Ballet course.  Just 4 hours, 1 hour a week (more than that at a time and people don't retain much). But now I am trying to decide exactly what I think is crucial for a newbie to know in order to jump into my Basic class with more confidence.  That's hard!  I start with demi-plie and then I think, "Well, they should know grand as well."  And I add a retire and then I think, "Hmm, coupe is pretty important too."  At what point do I introduce releve or sousous? Aughhhh! The class needs to be 8 weeks! lol...

I've got the first week nailed down, I believe.  Working in first position mostly, and doing tendu and degage.  But no rond yet and no combinations, just steps and alignment. Although most of the hour will be spent at the barre, I will go to the center.  Those of you who know me know I put everyone in the center, regardless of the class.  Why?  Because dance is movement.  Barre work is for technique but center work is for performance and creative expression.  I don't care if people simply stand or walk or skip across the floor, we have to step away from the barre in every class.

Two of the most important things I plan to impart to the class during this workshop are class progression and class etiquette. Students, particularly adults who think about everything, need to understand there is a reason for everything in a ballet class. They need to know how a barre moves forward and how it applies to the center. As for etiquette, if nothing else, I want students to know about spacing, where to stand in the center, how to move in a group, and when to ask questions. I think fellow teachers will appreciate that lesson!

And the second week, well, I think I will have to wait and see how the first week goes!